Internationally known as an authority on audio post production and mastering Eric Dosch has supervised the audio mastering on over 1,500 DVD titles including The Matrix; 2001; A Space Odyssey; Blade Runner and Jeremiah Johnson.

As designer of the DVD Audio Mastering facility at Warner Hollywood, the first one of its kind in the world, Eric participated in the DVD Forum to develop the current standards for the DVD format and created the audio portions of the first DVD-V's made in 1995.

Prior to joining Warner Brothers, Eric started his career at the Record Plant in Los Angeles where he served as a technical engineer on hundreds of album projects during the 1980's. Eric also acted as a Supervising Field Engineer for Solid State Logic, Inc., where he oversaw professional audio installations in post production and recording facilities around the globe.

A small selection of projects Eric has worked on at SCM include, Fargo - SE; The Party - SE; The Good, the Bad and the Ugly; The Magnificent Seven; The Pink Panther - SE; Man of La Mancha; Passage to India; The Man With the Golden Gun - SE; Oz; and On Her Majesty's Secret Service - SE.

Eric's professional memberships include the Academy of Motion Picture Arts and Sciences where he served on the Academy Theatre Standards Committee.
 

Jay, an accomplished editor and mixer, has supervised the editorial on over 200 titles at SCM. Jay's mastering credits include; Some Like It Hot; Von Ryan's Express; Hellraiser II; The Night of the Hunter; Dead Man Walking; The Defiant Ones; Annie Hall; A Clockwork Orange; Exodus; Audrey Rose; The Adventures of Buckaroo Banzai; Silence of the Lambs; Tomorrow Never Dies; Killer Elite and The Great Escape.

Prior to his achievements at SCM, Jay assisted recording and editorial on music scoring projects such as Boogie Nights, Wild Orchid and hundreds of Disney cartoons and episodic television shows.
 

Prior to his achievements at SCM, Ferenc was Director of Music and Sound Design at Fresh Produce Entertainment. A talented film mixer with international experience, Ferenc started his career in Los Angeles with Woodholly Productions and Todd/AO Hollywood.
 

Randy brings extensive experience in mixing and mastering to SCM. An accomplished musician, Randy has composed film scores, commercial music and engineered hundreds of record albums during his 25 year career.

At SCM, Randy has worked on over 130 projects including; Casino Royale; Birdman of Alcatraz; Moby Dick; Radio Days, Chitty Chitty Bang Bang - SE; Avanti!; Dr. No; The Fourth Man; Nine to Five and Revenge of the Pink Panther.
 

Keven started his career in New York as an engineer at NBC broadcast operations working on shows such as Late Night with David Letterman and the Nightly News. Here in Los Angeles, Keven worked at A&M Records in Hollywood. Keven also teaches audio engineering at the Recording Arts Program at the University of Southern California.
 

Jim has worked on over 35 projects at SCM including; Get Shorty; The Outer Limits; The Mod Squad and Adventures of Priscilla Queen of the Desert. Jim started his career at Spectrum Studios in Portland Oregon.

In the mid 1990's Jim moved to Nashville to design and build Reba McEntire's Starstruck Studios where he supervised the recording of scores of album and television productions for a diverse roster of artists.
 

Bruce has been the consulting engineer at SCM since its inception in 1999. Previously Bruce designed and implemented post production systems at major studios such as Warner Bros, 20th Century Fox, Skywalker Sound, and Dreamworks.

Active in the audio industry for over 30 years, Bruce is the CEO of 1st Sound Outfitters in Ventura, California.

Professional memberships include The Audio Engineering Society, The Society of Motion Picture and Television Engineers, and The Academy of Motion Picture Arts and Sciences where he serves on the Academy Theatre Standards Committee.